The soul of the Palais

Sebastian Huber

Palais de Tokyo stands as one of Paris’s most paradoxical cultural sites. Above ground, it is a beacon of institutionalized art — two museums, an upscale restaurant, and the reserved air of the 16th arrondissement. A place of prestige, where culture is carefully framed and curated

 

But just beneath that surface, in the open plaza below, a different scene unfolds — one that is raw, kinetic, and alive. Skateboarders gather daily from across Paris and beyond, drawn not by invitation but by atmosphere. They come for the unspoken promise of belonging.

 

This unlikely layering — monumental culture above, street-level expression below — reveals the deeper character of Palais de Tokyo. Skateboarding here becomes more than recreation; it’s a kind of cultural counterpoint. Both athletic and artistic, it mirrors the city’s grandeur while resisting its hierarchies.

 

In this tension, the space transforms. It reminds us that public places can still foster spontaneous community, that shared movement can bridge social divides, and that some of the most meaningful expressions of culture happen far from the spotlight — in the open air, on worn concrete, beneath the museum.

Sebastian Huber

Sebastian Huber is a young Munich based documentary and portrait photographer. His work is strongly centred around the belief that the magic of life lies in the little things and he creates these narratives through the use of his camera. This enables him to visually communicate his ideas and the topics he works with. His photography has an atmospheric character, which is a stylistic trope that is present throughout his personal and commissioned work.